Sculptural presences emerging from the

Residual language. These pieces stand alone

rather than in grids. Made from botanical inks,

iron salts, minerals, cyanotype — but shaped

toward form, toward something that holds its

own weight and presence. They work vertically

and horizontally simultaneously — pulses of

time moving through the surface.

Rhythm made visible. Geological strata.

Seismic recordings. Heartbeat traces.